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REGISTRY
OF CERTIFIED TEACHERS OF THE BILL EVANS METHOD
The
following artist/teachers have completed the certification
program in the Bill Evans Method of Teaching Laban/Bartenieff-Based
Modern Dance Technique:
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Heather
Acomb
SUNY, Genesco
hacomb@hotmailcom
*More info on Heather below
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Julie
Anderson
Denver, Colorado
juliecourtneyanderson@gmail.com
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Deborah
Birrane
Seattle, Washington
debbiranne@yahoo.com
*More info on Deborah below
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Jenny
Burnett
So. Euclid, Ohio
jburnett@hb.edu
*More info on Jenny below
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Mary
Burns
Chicago, Illinois
msburnsi@hotmail.com
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Clarence
Brooks
clarence.brooks@fau.edu |
Joanna Cashman
Olympia, Washington,
joannachasman@comcast.net
*More
info on Joanna below
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Bill Evans
Hamlin (greater Rochester),
New York
billevansdance@hotmail.com |
Sarah
Gullo
Rochester, NY
sarahgullo@gmail.com
*More
information on Sarah below.
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Don
Halquist
Hamlin (Greater Rochester), New York
dhalquis@brockport.edu
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Sarah Joyce-Dyer
Tulsa, Oklahoma
Sjoyce@hollandhall.org
*More
information on Sarah below.
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Debra
Wright Knapp
Las Cruces, New Mexico
deknapp@nmsu.edu
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Kerry Kreiman
Fort Worth, Texas
cdfw@cdfw.com
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Marlene
Leber
mleber@hb.edu
*More
information on Marlene below. |
Denise
Lieutaghi
Lasqueti Island, British Columbia
dlieutaghi@gmail.com
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Suzie Lundgren
Santa Cruz, California
suzie@suzielundgren.com |
Hillary
McDaniel Douglas
Las Cruces, NM
hilaryleigh@juno.com
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Kathleen (KLee) Moore
Sequim, Washington
klee@olypen.com
*More info
on Kathleen below
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Georgia
Ortega
Ross, California
geodance2@gmail.com
*More
information on Georgia below.
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Denise
Purvis
Chester, Virginia
denise_purvis@ccpsnet.net
*More
information on Denise below.
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Heather
Roffe
Rochester,
New York
heatroffe@hotmail.com
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Lynn Schmidt
Arlington, Washington
lynnandstan@earthlink.net
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Rosalind Schrodt
Ashland, Oregon
www.oakstreetdance.com
rozinthismoment@msn.com
*More
information on Rose below.
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Jenny Showalter
danceshow3@yahoo.com
*More
information on Jenny below. |
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Jane Stewart
Vancouver, British Columbia
djstewart87@hotmail.com
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Kristin Carpenter Torok
Redwood City, California
fullcirclestudio@mac.com
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Jude
Clark Warnisher
clarnisher@yahoo.com
*More
information on Jude below.
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Cynthia
Willliams
Geneva,
New York
Williams@hws.edu |
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Adrienne
Wilson
Auburn,Alabama
awpmusicdance@aol.com
*More
information on Adrienne below.
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Terri
Winchell
Winston-Salem, North Carolina
terriwinchell@yahoo.com
*More
information on Terri below. |
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More
about Certified Teachers
- the
following certified teachers have submitted the following
additional information: |
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HEATHER ACOMB ■
hacomb@hotmailcom
Heather is a dance artist and educator originally from
the Rochester, NY area. She has performed, taught,
and had her work shown in several locations
throughout
New York
State
, as well as across the country. Heather has been
a member of the Bill Evans Dance Company since
2009, and in 2011 she became certified in the Bill
Evans Method of Teaching Laban-Based Modern Dance
Technique. She serves as a teaching assistant to
Mr. Evans in his technique classes and summer
workshops. She also performs on a project basis
with Treeline Dance Works. Recent performance
credits with Treeline include Triskelion ARTS in
Brooklyn
and Ravel's Boléro with the Rochester
Philharmonic Orchestra. She has performed the
works of Doris Humphrey, Larry Keigwin, and José
Limón, among others, and has studied extensively
with numerous master teachers and dance artists
including the Limón Dance Company, Garth Fagan
Dance, Sean Curran, and Mandy Moore, among others.
She received her MFA in Dance from The College at
Brockport, and also holds a BA in Communication
with minors in Dance and English from SUNY Geneseo.
Currently, Heather serves on the dance faculty at
SUNY Geneseo.
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DEBORAH
H. BIRRANE,
MFA ■
206-852-4075
I am a 2009 certified Bill Evans based
teacher and, a soon-to-be certified Radiant Health Yoga
Teacher. A mere 24 years into my career and I am
grasping and digging the place I am in - that of
appreciating and embracing process. Dance is so much
richer when you dive deep below the surface, trusting
that which is more stable (technique) and then
“letting go” to ride the wave of intention, quality
and sensation.
A Philadelphia native, I began dancing “late” at the
ripe age of 20 at Penn State University. Graduating with
a BA in Social Work and a minor in Interdisciplinary
Dance, I ultimately chose this road to dance. What most
inspired me to seriously pursue this passion occurred
during my premiere concert at the Philadelphia
Industrial Correction Center – yes, a jail. We
performed for 100 inmates. The evening began with
catcalls and ended with a standing ovation. Dance
communicates with people very deeply and on surprising
levels. After the concert, one woman, probably about
50+, stood up, passionately looked me in the eyes and
voiced: If you love something that much, you should
never give it up. Hearing that from a woman who probably
lost a lot during her life has meant much to me. That
was 1990. The honesty, intensity and beauty of those
moments is what keeps me creating, teaching and dancing
on.
To
do something one needs to be. When you can be, you can
then listen. When you listen, change happens. And
happens it does – in abundance. After much ado about
“nothing”, I have committed to being a solo
performer. There is much artistic freedom here but the
responsibility is great and daunting. It is a journey
where I cycle through the mundane to heaven and to hell
struggling, questioning and probing for a clear and
honest dance image. It is a process whereby my mind,
body and soul seek constant connectivity. And,
simultaneously, there is much letting go which
ultimately leaves me completely absorbed in the work,
ego dropping out of the realm, and I becoming - becoming
the dance.
As a social being, however, I still thrive on creating
and performing in group works as well as immersing
myself in studying with others. I am studying Baroque
dance and occasionally dancing with Seattle Early Dance
under master of Baroque Dance, Anna Mansbridge. I can
never get enough of studying with Bill Evans. My
once-a-year immersion with Bill encourages me to
continually discover myself as a more knowing, sensing,
feeling and seeing choreographer, dancer and teacher.
The work has given breadth to who I am as a more
efficient, fluent and diverse individual and artist. It
seems as if I am living in the best of both dancing
worlds, time undeniably linked like a double helix
inter-twining the past and the present.
A snippet look at my past: The works of Deborah Birrane
Dance have been passionately embraced by audiences here
in the States and abroad. I have created for the Company
a repertory that is both eclectic and rich in its
content, style and musical partnership, as well as
broadening the repertory with works by many wonderful
choreographers. Most recently my solo work has been
presented by Contemporary Dance Fort Worth; An Evening
with Bill Evans & Friends; Wild Grace Dance Theatre;
by Denise Lievtaghi (Vancouver, BC); and, in the
informal showings sponsored by Next Stage Dance and Arts
Launch. Specifically in Seattle, DBD has been presented
by artsEdge, Juan de Fuca Arts Festival, Dance Fusion
and Choreofest. As an educator and choreographer, I was
selected as the dance artist for Seattle’s ARTS UP
program. In May 2002, I performed in Belgrade & Novi
Sad, Yugoslavia and then in December 2002, taught in St.
Petersburg Russia at the Exercise 2002 International
Festival as Guest Dance Educator. My work has been
commissioned by Belhaven College (performing my work in
China and Mississippi), Western Wyoming College,
Kaleidoscope, Fremont Danceworks, Komen Foundation for
Breast Cancer, and PSU-Abington Dance Collective. Prior
to Seattle, the Company has been presented at the ACDF
Gala Concert, The Fringe Festival in Atlanta, Georgia;
the Australian Embassy in Washington, D.C.; the
Philadelphia Dance Alliance; and at Penn State
University-Abington.
I have served on the faculty of Pacific Northwest
Ballet; the Creative Dance Center; taught as a permanent
and/or visiting artist-in-resident in the elementary,
middle and high schools as well as college and graduate
levels of dance and education; and, the Kaleidoscope
Pre-School Enrichment Program, a pilot project for the
arts in early education under the Clinton
Administration. Currently, I teach at the University of
Washington - Bothell campus, continue to teach as
artist-in-resident in the elementary schools and visit
as guest artist on the college level.
Artistic Director - Deborah Birrane Dance
■
800
1st Avenue North, #5
■ Seattle,
WA
98109 ■
206-852-4075
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JENNY BURNETT
■ jburnett@hb.edu
■
440-387-1901
Jenny received her BFA in Dance from the
University
of
Akron
and her Masters in Education from
Kent
State
University
. She
recently became certified in Evans Dance Technique
at SUNY Brockport.
Jenny has taught many different dance
styles and methods courses at various
institutions, including the
Wayne
Center
for the Arts,
Cleveland Ballet Conservatory
,
Kent
State University, and
Lake Erie
College
. She
serves as a member of the board of trustees of
Ohiodance and has performed with numerous
choreographers and companies in
Ohio
as well as presenting her own work.
Jenny has presented at education
conferences and workshops throughout
Ohio
as well as National conferences.
She has written articles for The
Orff Echo and helped to pen the
Ohio
“Service and Resource Guide for Educators of
Gifted Students”.
She teaches dance for Preschool through 12th
grade and is the head of the Performing Arts
Department at
Hathaway
Brown
School
, located in
Shaker Heights
,
Ohio
.
600
Parkside Blvd.
■ South
Euclid, OH
44143
■ 440-387-1901
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JOANNA
CASHMAN,
RN,
E-RYT, MFA
Joanna Received her Master of Fine Arts degree in
Dance from Arizona State University. She is a certified
teacher of the Evans Method: A Laban-Bartenieff Based
Approach to Teaching Dance Technique. A former member of
the Barbara Mettler Dance Company, she
has performed and taught internationally and is
the recipient of numerous grants and awards for her
creative work. She has taught dance/movement studies as
an adjunct member of the faculty at The Evergreen State
College and Lesley University. Notably in 1988 she
co-directed an Arts for Peace Tour which produced an
American-Soviet Concert of Contemporary Dance while in
residency at Shevchenko University in Kiev,
Ukraine.
Joanna is a certified Integrative Yoga Therapist
and founder of the Radiant Health Yoga® Teacher
Training Program which features a therapeutic,
neurodevelopmental approach to hatha yoga. Following an
intuitive desire to blend the ancient teachings of yoga
with expressive dance she created Chakra
Dance as a holistic practice that illuminates
universal truths about the human experience and offers a
rich vehicle for creative expression and personal
growth. As a mental health nurse, listed in Who’s Who
in American Nursing, she specialized in expressive arts
therapies and has twenty five years of clinical
experience facilitating yoga and dance therapy sessions
for individuals with neuropsychiatric and chemical
dependency issues. Her inquiry takes place at the
intersection of art, psychology and spirituality and is
based on the premise that contemplative and expressive
movement practices are basic human needs. She currently
directs Wild Grace Dance Theater and teaches yoga,
modern dance, and Brain Dance at her studio, Wild Grace
Arts, in Olympia, WA
For
more information visit www.JoannaCashman.com
and www.WildGraceArts.com
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SARAH GULLO
■
sarahgullo@gmail.com
Gullo holds an MFA in Choreography and Performance from
SUNY
College
at Brockport, a Bachelor of Arts in Humanistic Studies
from
McGill
University
and has lived in
Belgium
,
Quebec
,
France
,
Venezuela
, and
New York City
. Gullo trained and competed in gymnastics in her teens
and became a certified yoga instructor before turning to
modern dance as a young adult. Her formal dance training
in dance began at Dance New Amsterdam in
New York City
, and continued as a graduate student with artists such
as Bill Evans, Jenny Coogan, Mariah Malone (Trisha
Brown) Jane Comfort and Tere O'Connor. Gullo's solo work
has been presented in
Rochester
and
New York City
, and she has performed with regional dance companies
BIODANCE, Kista Tucker Dance, Geomantics Dance Theatre,
and Melanie Aceto Contemporary Dance as well as
New York City
based Treeline Dance Works and KICK STAND Dance. She has
choreographed for
Cobblestone
Arts
Center
, The Harley School,
Victor
High School
, and has held adjunct professor positions at SUNY
Brockport,
Keuka
College
and
Roberts
Wesleyan
College
. Gullo is certified in the Bill Evans Method of
teaching modern dance, and is also pursuing
certification as a Somatic Movement Educator with
EastWest Somatics. She currently serves as dance faculty
member as well as Assistant Dean of Students at the
Hochstein School of Music and Dance in
Rochester
,
New York
.
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KERRY
KREIMAN
Kerry is the Executive/Artistic director
of Contemporary Dance/Fort Worth, a company
which she co-founded in 1990. Kerry has
choreographed over sixty works for professional and
civic dance companies, universities, theater
productions, outdoor festivals, site-specific projects,
and more. Prior to co-founding the CD/FW Co.,
Kerry directed the Dance Program at the Culver Academies
in Culver, Indiana (1987-1990) and was Visiting
Assistant Professor at Saint Mary's College at Notre
Dame (1989-90). As an artist representative for
the City of Fort Worth, Kerry was honored to perform at
the 1998 inaugural celebration of the Fort Worth Sister
Cities International partnership with Toluca, Mexico.
In 2000, she was invited to teach and perform for a
month in Taipei, Taiwan for the first annual Taiwan
International Dance Festival on the campus of the
National Institute of the Arts. She was a
Guest Lecturer in Modern Dance for the Texas Christian
Univ. Dept. of Ballet & Modern Dance for eight
years, serving as both graduate and undergraduate
faculty and is a certified Pilates instructor.
Kerry holds a MFA in Dance from the University of
Illinois at Urbana-Champaign, a BFA in Modern Dance and
a BA in Philosophy from TCU.
Kerry is a strong advocate of Bill Evans’ work,
and is excited to be on a journey with him to explore
the integration of modern dance training techniques,
Bartenieff, Laban, kinesiology, and more, to develop new
frameworks and possibilities for training teachers and
dancers. Kerry
can provide the following services: Master classes and
teaching residencies,
Choreographic commissions and Design of outreach
programs
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SARAH
JOYCE-DYER
Sarah
Joyce-Dyer earned her BFA in Dance Pedagogy from the
University of Oklahoma where she performed with the Oklahoma
Festival Ballet and the Modern Repertory Dance companies. In
2009, she completed training to become a Certified Teacher of
Evans Method of Modern Dance - a
Laban-Bartenieff based approach to teaching dance technique.
Since
1995, Sarah has been the Dance Director at Holland Hall
School, a private, college preparatory K-12 school in Tulsa,
Oklahoma. In
addition to movement analysis and dance composition, Ms. Dyer
teaches modern dance technique to grades 6-12, directs the
Modern Repertory Dance Ensemble, choreographs the upper and
middle school musicals, and co-directs the Show Choir. Her
students have gone on to perform with Michael Foley Dance,
Atlanta Ballet, Pacific Northwest Ballet, Chicago Verge Dance,
on the Tony Awards and MTV Music Awards. Currently, she has
alums performing on Broadway in Cats, Les Miserables, and
the Green Day musical American
Idiot.
In
the community, Sarah is the resident choreographer for Tulsa
Repertory Musicals and teaches modern, ballet, tap and jazz
technique classes for The Dance Pointe studio. She has
choreographed for Light Opera Oklahoma (LOOK), Odeum Theater
Company, and taught modern dance workshops for Tulsa
Ballet’s summer intensive Pointe to The Future.
In
the elementary schools of Northeastern Oklahoma, Sarah served
as a ‘Master Teacher’ and ‘Artist in the Schools’ for
the Tulsa Arts and Humanities Council, implementing
experiential education in the art of dance and dance
appreciation for teachers and their students.
Sarah
is available for
master classes, teaching residencies and choreographic
commissions.
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MARLENE LEBER ■ mleber@hb.edu
■
440-285-9504
Marlene has been teaching, choreographing, and performing in the greater Cleveland area for over thirty years. As well versed in musical theater as modern dance, her choreography has been seen on the stages of Mentor High School, Kent State University, Lake Erie College, Cleveland State University, The School of Fine Arts, Shaker Heights High School, Hawken High School, Cleveland School of the Arts, and Hathaway Brown School where she has co-directed the dance program for the past 18 years. Marlene has performed extensively throughout the Cleveland area both in contemporary and Musical Theater venues, but her true love has always been modern dance. An original member of Cleveland’s Repertory Project and Dance Theater Collective, Marlene’s performing repertoire of contemporary choreography includes works by Bill Evans, Gina Gibney, Kathryn Karipides, Amy Dowling, Susan Van Pelt Petrie, David Dorfman, Jennifer Keller, and Douglas Neilsen, to name a few. In 2003, Marlene and colleague Jennifer Burnett presented their duet Resolve at Cleveland Public Theater as a part of the Food For Thought showcase directed by Gina Gibney. Marlene was the recipient of the Outstanding Contribution to Dance Education Award at the Ohiodance Festival in 2005. In 2011, she served on the dance content standards writing team for the Ohio Department of Education, and in 2009 was the lead writer for gifted content standards. Marlene holds a BFA in dance from Lake Erie College and has served on the board of trustees for OhioDance since 2005. The summer of 2011 marked her fourth year in the Bill Evans Teachers Certification program at SUNY Brockport.
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KATHLEEN
(KLEE) MOORE
■ klee@olypen.com
■ 360-683-3693
Kathleen (KLee) Moore, Executive/Artistic
Director and Founder of Pioneer Dance Arts, a
multi-generational dance school and performing company,
has served the Sequim, WA. community since 1974. KLee
Moore's passion for dance shows in her dedication to the
art as she strives to advance her skills in mind and
body.
KLee is available to teach master classes in various
dance styles: BrainDance, Bartenieff Fundamentals, Evans
Modern, jazz, ballet, & tap. All her classes
incorporate the dance concepts of BrainDance and the
Bill Evans Method of Teaching Laban/Bartenieff-Based
Modern Dance Technique.
KLee began her dance studies at the Fishback Studio of
the Dance, earning a teachers certificate in the
Cecchetti Technique of Classical Ballet. She has studied
ballet with the San Francisco Ballet School, Pacific
Northwest Ballet, First Chamber Dance Company, and with
Cornish Institute. Her training with David Howard and
JoAnna Kneeland greatly influenced her teaching
techniques, incorporating kinesiology and movement
dynamics. She is a member of the inaugural session of
selected teachers that completed the Bill Evans Method
of Teaching Laban/Bartenieff-Based Modern Dance
Technique in August 2006. More recently, she has trained
with Anne Green Gilbert, Institute Director of the
Creative Dance Center, studying Brain-Compatible Dance
Education.
Evans certification colleague Don Halquist, a Visiting
Assistant Professor at State University of New York in
Brockport says "KLee has distinguished herself as a
generous and warm human being who works from a place of
discipline, commitment and integrity. When offering
feedback to her peers, I found her comments to be
specific, constructive and above all supportive."
He has noted "how fortunate the people of Sequim
were to have KLee as part of their community. She is
truly a dance pioneer and has generously and graciously
shared her knowledge of and passion for the art of dance
with her community."
Mr. Evans recommends her "highly and without
reservation. She is an extraordinarily competent dance
professional, exceptionally organized and outstandingly
pro-active. She is completely honest, highly ethical,
remarkably responsible, unusually self-motivated,
sincerely courteous and always collegial-
supporting the growth of peers whenever possible."
KLee was nominated "Teacher in the Spotlight"
by Bill Evans for the July 2010 issue of Dance Studio
Life, a magazine dedicated to quality dance education.
Quote “KLee is a true educator. She was among the
first graduates of my Certification Program in the Bill
Evans Method of Modern Dance Technique. She has
developed a true community of people who support each
other in the study of dance and in all aspects of their
lives.”
KLee
can be reached by phone at 360-683-3693 or email at klee@olypen.com
Article
reference: http://www.dancestudiolife.com/2010/07/teacher-in-the-spotlight-klee-moore/
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GEORGIA ORTEGA ■ geodance2@gmail.com
■ 415-233-3463
Georgia Ortega is in her 10th year at the
Branson
School
, an independent high school in Ross California, where she
directs the Branson Dance Performance Ensemble and dance
program. After completing a pre-professional ballet and modern
jazz training program in 1979, Ms. Ortega co-founded En Avant
Collective and began teaching in
studios in the San Francisco Bay Area, including
Shawl-Anderson
Dance
Center
, Marin Ballet, Contessi Ballet, and
Tamalpais
Dance
Center
. She has been a guest teacher/choreographer at
College
of
Marin
, St. Mary’s College,
Laney
College
,
College
of
Southern Idaho
, Escola de Danca da Universidade Federal de Bahia,
Brazil
,
West
Hawaii
Dance
Center
and others. As co-owner of Dance Theatre 7 in
Fairfax
, Ms. Ortega established a pre-professional contemporary
training program and the Chrysalis Contemporary Company, a
choreographer’s showcase for emerging and established
choreographers, and directed the adult and junior contemporary
division. She has twice received Marin Arts Councils’
Individual Artists grant for her innovative choreography. She
would like to thank Jody White, Baba Hari Dass, Bhavani Maki,
Don Halquist, and William Evans for their guidance and
inspiration. Ms. Ortega is a certified teacher of Ashtanga and
Hatha Yoga, a certified massage therapist, and in 2011
received her certification in the Evans Method of teaching
Laban-Based Modern Dance Technique.
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DENISE L. PURVIS
■
denise_purvis@ccpsnet.net
■ 804-744-5667
Denise Purvis currently performs with Starr Foster Dance Project and
directs the dance program for the
Chesterfield
County
Specialty
Center
for the Arts at
Thomas
Dale
High School
in
Chester
,
VA.
A certified teacher of the Bill Evans method of dance
technique, she holds a Master of Fine Arts degree in Dance and
Performance/Choreography from the State University of New York
at Brockport and an undergraduate degree in dance from
Mary
Washington
University
in
Fredericksburg
,
VA.
Her college faculty positions have included the State
University of New York at Brockport and
Hobart
and
William
Smith
Colleges
. In addition to her continuing training with Bill Evans, she
has been privileged to study under Eugene Roscoe, Sharon
Kinney, Barbara Grubel, Bebe Miller, Mark Haim, Risa
Steinberg, Nina Watt, and many other wonderful dancers and
choreographers. An experienced performer, choreographer, and
educator, Ms. Purvis’ works have premiered in
Virginia
, as well as
New York
. She has taught at reputable dance schools throughout
Richmond
,
VA
and
Rochester
,
NY
, choreographed several musicals for both amateur and
professional theater and has performed professionally with
various choreographers.
13300
Court Ridge Road
■ Midlothian,
VA 23112
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Roz
Schrodt,
Artistic Director of Moment in Time Dance Company, has
performed and been active in dance since she was 7 years old.
She founded The Moving Center Dance Theatre in Taos, New
Mexico, 1973-1976. She has worked with Beverly Pollack, has
studied intensively with David Hochoy, Kitty Daniels, and Bill
Evans: has won awards for her choreography, and received two
National Endowments for the Arts grants for her dance
productions. Roz has a Bachelors Degree in Humanities from
Southern Oregon University.
Roz completed the Bill Evans Certification Program in
2007. This includes the study of Labon Movement Analysis and
The Bartenieff Fundamentals. She has consistently taught
Modern Dance Technique classes for the last 30 years.
Roz just returned from teaching commitment in Loreto, Baja
Sur. Roz has been a mentor to dancers that have
gone on to have successful careers in dance. She loves
the art of dance and conveys this love to all of her students. In
the last few years, Roz has been working with Liquid Fire
Mantra Ritual Fire and Mask Dancing Company. She does
some of their choreography, trains their dancers, and sometimes
appears with them.
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JENNY SHOWALTER
■
danceshow3@yahoo.com
■ 630-408-7157
Artistic-Co Director of Treeline Dance Works, Jenny is a
dancer and choreographer whose work has recently been
presented at Les 7ème Rencontres UPPAdanse (France),
American Dance Guild (NYC), DUMBO Dance Festival
(NYC), WAXworks (NYC), Heidelberg Music Festival (OH), Joy of Motion
(Washington DC), Midwest RAD Festival (MI), Vision of Sound
(NY), Dance Chicago (IL), Rebound Chicago (IL), Oklahoma
Contemporary Festival (OK), and Cool NY Festival (NYC).
Showalter has been invited to teach technique and set
repertory as aguest artist at
Lincoln
College
,
Western
Illinois
University
, and Perpetual Motion Dance Company and has served on faculty
at
Ball
State
University
. She has performed extensively throughout western
New York
,
New York
City and
Chicago
with both established and emerging artists and is a member of
the Bill Evans Dance Company. Showalter holds an MFA in Dance
Choreography and Performance from The College at Brockport and
a BS in P.E. Exercise Science from
Western
Illinois
University
. She is a certified personal trainer, Pilates instructor, and
somatic practitioner.
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Jude Clark Warnisher
■ clarnisher@yahoo.com
Jude is a teacher, choreographer, performer and visual artist
who lives on the central coast of
California
. She received her
MFA in Choreography at the
University
of
California
,
Irvine
, under the tutelage of Donald McKayle.
Prior to her graduate studies, Jude
taught,choreographed and performed in
Southeast Asia
,
Japan
,
Russia
, the
Philippines
and
Southern California
. Jude is one of
the founders and artistic directors of Variable Velocity
Performance Group,
San Luis Obispo
's premiere modern dance company.
She is an active performing member of the company
creating group works and solo performance pieces for the
company's annual productions.
She teaches technique classes for the company members
as well as teaching at
Cuesta
Community College
and
California
Polytechnical
University
in
San Luis Obispo
,
California
. Jude received
her certificate of completion in
Bill Evans' Modern Dance Technique in August 2011.
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Adrienne
Wilson, MFA, is a dancer and
musician actively pursuing a life in the arts for many years.
As Assistant Professor, Theatre at Auburn University, she
teaches dance courses based in modern/contemporary technique,
rhythm tap, Bartenieff Fundamentals, and movement analysis,
continually blending in elements of dance history,
composition, improvisation, anatomy and kinesiology. She
choreographs and directs the annual student dance concert and
hosts guest residencies that enhance the pursuit of dance
studies. There have also been opportunities to coach movement
for actors and to choreograph for the stage using Bartenieff
Fundamentals and Laban Movement Analysis. She is responsible
for establishing a dance minor within the Department of
Theatre, approved in January 2008.
She earned an MFA in
choreography and performance from SUNY Brockport, and
bachelors and masters degrees in piano performance from Ithaca
College. Her choreographic works have most recently been seen
at Auburn University and at the American College Dance
Festival Southeast Region Conferences hosted by Middle
Tennessee State University and The University of Florida in
Gainesville; and also at SUNY Brockport, Slippery Rock
University, and at the 2005 National Dance Educators
Organization Conference at the University of Buffalo.
She has taught on the
dance faculties of SUNY Brockport, Hobart and William Smith
Colleges, and Alfred University; and also served on the music
faculty at Elmira College and as a staff accompanist at Ithaca
College. While participating in conferences she has taught
classes in modern dance and rhythm tap for ACDFA for the last
several years.
Recent honors include
receiving the 2008-2009 College of Liberal Arts Instructional
Excellence Award from the Promotion of Excellence in Teaching
and Learning Committee (Auburn University), being awarded a
Noncompetitive Summer Research Grant for 2010 (Auburn
University) to finish certification in Bill Evans Technique,
and assisting Bill Evans in presenting his choreographic work Colony,
performed by Auburn University students, at the 2010 American
College Dance Festival Southeast Regional Conference Gala and
then again at the The Kennedy Center in Washington, D.C. for
the American College Dance Festival Association’s National
Festival.
Choreographically, she
is continually exploring and creating work using contemporary
technique, rhythm tap, and the wealth of information studied
in the Bill Evans Teacher Intensives.
She is a board
member/institutional member for the Alabama Dance Council; an
institutional member of American College Dance Festival
Association and National Dance Educators Organization; an
individual member of the International Tap Association and
EastWest Somatics.
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TERRI WINCHELL
■ terriwinchell@yahoo.com
■ 336-940-6439
As recent graduate of the Evans/Bartenieff/Laban Certification
program (2011) my interests and studies lay in the areas of
transformational learning, community building, somatics,
personal investigation, discovery, and inquiry. As an
Registered Yoga Teacher and vinyasa yoga practitioner as well
I am enthusiasticly obsessed with the integration and fusion
of art forms. Originally trained in Classical Ballet, I now
constantly seek methods of integrating a variety of movement
styles and somatics practises through the use of Evans/Bartenieff/Laban
as a means of expression, clarification and communication as a
teacher and dance artist. Fields of expertise include Modern
dance technique, improvisation, composition, ballet. Areas of
study include Feldenkrais, Alexander, Qigong and yoga,
Kinesiology, Dance History, World dance forms and hip-hop!
Credentials include a BFA in dance performance from
East
Carolina
University
and an MFA in performance, choreography and pedagogy from
Southern Methodist University. Also, I received a Graduate
Licensure (K-12) in dance education from the
University
of
North Carolina
at
Greensboro
. Currently, I work with process and 180+ students per year
outside of
Winston-Salem
,
NC
at
Davie
County
High School
. I am available for a variety of workshops,
performances, collaborations and networking upon request.
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Candid
photos of participants in the 2007 Certification Program Workshop at SUNY
Brockport:
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