|
|
REGISTRY
OF CERTIFIED TEACHERS OF THE BILL EVANS METHOD
The
following artist/teachers have completed the certification
program in the Bill Evans Method of Teaching Laban/Bartenieff-Based
Modern Dance Technique:
|
Julie
Anderson
Denver, Colorado
juliecourtneyanderson@gmail.com
|
Mary
Burns
Chicago, Illinois
msburnsi@hotmail.com |
Deborah
Birrane
Seattle, Washington
debbiranne@yahoo.com
*More info on Deborah below
|
Joanna
Cashman
Olympia, Washington,
joannachasman@comcast.net
*More info on Joanna below |
Don
Halquist
Hamlin (Greater Rochester), New York
dhalquis@brockport.edu
|
Sarah
Joyce-Dyer
Tulsa, Oklahoma
Sjoyce@hollandhall.org |
Debra
Wright-Knapp
Las Cruces, New Mexico
deknapp@nmsu.edu
|
Kerry
Kreiman
Fort Worth, Texas
cdfw@cdfw.com |
Denise
Lieutaghi
Lasqueti Island, British Columbia
dlieutaghi@gmail.com
|
Suzie
Lundgren
Santa Cruz, California
suzie@suzielundgren.com |
Hillary
McDaniel Douglas
Las Cruces, New Mexico
hilaryleigh@juno.com |
Kathleen
(KLee) Moore
Sequim, Washington
mpirouette@olypen.com
*More info on Kathleen
below
|
Lynn
Schmidt
Arlington, Washington
lynnandstan@earthlink.net
|
Rosalind
Schrodt
Ashland, Oregon
rozinthismoment@msn.com |
Jane
Stewart
Vancouver, British Columbia
djstewart87@hotmail.com
|
Kristin
Carpenter Torok
Redwood City, California
fullcirclestudio@mac.com |
|
|
|
More
about Certified Teachers
- the
following certified teachers have submitted the following
additional information: |
|
|
|
DEBORAH
H. BIRRANE
- MFA
I am a 2009 certified Bill Evans based
teacher and, a soon-to-be certified Radiant Health Yoga
Teacher. A mere 24 years into my career and I am
grasping and digging the place I am in - that of
appreciating and embracing process. Dance is so much
richer when you dive deep below the surface, trusting
that which is more stable (technique) and then
“letting go” to ride the wave of intention, quality
and sensation.
A Philadelphia native, I began dancing “late” at the
ripe age of 20 at Penn State University. Graduating with
a BA in Social Work and a minor in Interdisciplinary
Dance, I ultimately chose this road to dance. What most
inspired me to seriously pursue this passion occurred
during my premiere concert at the Philadelphia
Industrial Correction Center – yes, a jail. We
performed for 100 inmates. The evening began with
catcalls and ended with a standing ovation. Dance
communicates with people very deeply and on surprising
levels. After the concert, one woman, probably about
50+, stood up, passionately looked me in the eyes and
voiced: If you love something that much, you should
never give it up. Hearing that from a woman who probably
lost a lot during her life has meant much to me. That
was 1990. The honesty, intensity and beauty of those
moments is what keeps me creating, teaching and dancing
on.
To
do something one needs to be. When you can be, you can
then listen. When you listen, change happens. And
happens it does – in abundance. After much ado about
“nothing”, I have committed to being a solo
performer. There is much artistic freedom here but the
responsibility is great and daunting. It is a journey
where I cycle through the mundane to heaven and to hell
struggling, questioning and probing for a clear and
honest dance image. It is a process whereby my mind,
body and soul seek constant connectivity. And,
simultaneously, there is much letting go which
ultimately leaves me completely absorbed in the work,
ego dropping out of the realm, and I becoming - becoming
the dance.
As a social being, however, I still thrive on creating
and performing in group works as well as immersing
myself in studying with others. I am studying Baroque
dance and occasionally dancing with Seattle Early Dance
under master of Baroque Dance, Anna Mansbridge. I can
never get enough of studying with Bill Evans. My
once-a-year immersion with Bill encourages me to
continually discover myself as a more knowing, sensing,
feeling and seeing choreographer, dancer and teacher.
The work has given breadth to who I am as a more
efficient, fluent and diverse individual and artist. It
seems as if I am living in the best of both dancing
worlds, time undeniably linked like a double helix
inter-twining the past and the present.
A snippet look at my past: The works of Deborah Birrane
Dance have been passionately embraced by audiences here
in the States and abroad. I have created for the Company
a repertory that is both eclectic and rich in its
content, style and musical partnership, as well as
broadening the repertory with works by many wonderful
choreographers. Most recently my solo work has been
presented by Contemporary Dance Fort Worth; An Evening
with Bill Evans & Friends; Wild Grace Dance Theatre;
by Denise Lievtaghi (Vancouver, BC); and, in the
informal showings sponsored by Next Stage Dance and Arts
Launch. Specifically in Seattle, DBD has been presented
by artsEdge, Juan de Fuca Arts Festival, Dance Fusion
and Choreofest. As an educator and choreographer, I was
selected as the dance artist for Seattle’s ARTS UP
program. In May 2002, I performed in Belgrade & Novi
Sad, Yugoslavia and then in December 2002, taught in St.
Petersburg Russia at the Exercise 2002 International
Festival as Guest Dance Educator. My work has been
commissioned by Belhaven College (performing my work in
China and Mississippi), Western Wyoming College,
Kaleidoscope, Fremont Danceworks, Komen Foundation for
Breast Cancer, and PSU-Abington Dance Collective. Prior
to Seattle, the Company has been presented at the ACDF
Gala Concert, The Fringe Festival in Atlanta, Georgia;
the Australian Embassy in Washington, D.C.; the
Philadelphia Dance Alliance; and at Penn State
University-Abington.
I have served on the faculty of Pacific Northwest
Ballet; the Creative Dance Center; taught as a permanent
and/or visiting artist-in-resident in the elementary,
middle and high schools as well as college and graduate
levels of dance and education; and, the Kaleidoscope
Pre-School Enrichment Program, a pilot project for the
arts in early education under the Clinton
Administration. Currently, I teach at the University of
Washington - Bothell campus, continue to teach as
artist-in-resident in the elementary schools and visit
as guest artist on the college level.
DEBORAH
BIRRANE
Artistic Director - Deborah Birrane Dance
800
1st Avenue North, #5,
Seattle,
WA 98109
206-852-4075
|
|
|
|
Joanna
Cashman,
RN,
E-RYT, MFA
Joanna Received her Master of Fine Arts degree in
Dance from Arizona State University. She is a certified
teacher of the Evans Method: A Laban-Bartenieff Based
Approach to Teaching Dance Technique. A former member of
the Barbara Mettler Dance Company, she
has performed and taught internationally and is
the recipient of numerous grants and awards for her
creative work. She has taught dance/movement studies as
an adjunct member of the faculty at The Evergreen State
College and Lesley University. Notably in 1988 she
co-directed an Arts for Peace Tour which produced an
American-Soviet Concert of Contemporary Dance while in
residency at Shevchenko University in Kiev,
Ukraine.
Joanna is a certified Integrative Yoga Therapist
and founder of the Radiant Health Yoga® Teacher
Training Program which features a therapeutic,
neurodevelopmental approach to hatha yoga. Following an
intuitive desire to blend the ancient teachings of yoga
with expressive dance she created Chakra
Dance as a holistic practice that illuminates
universal truths about the human experience and offers a
rich vehicle for creative expression and personal
growth. As a mental health nurse, listed in Who’s Who
in American Nursing, she specialized in expressive arts
therapies and has twenty five years of clinical
experience facilitating yoga and dance therapy sessions
for individuals with neuropsychiatric and chemical
dependency issues. Her inquiry takes place at the
intersection of art, psychology and spirituality and is
based on the premise that contemplative and expressive
movement practices are basic human needs. She currently
directs Wild Grace Dance Theater and teaches yoga,
modern dance, and Brain Dance at her studio, Wild Grace
Arts, in Olympia, WA
For
more information visit www.JoannaCashman.com
and www.WildGraceArts.com
|
|
|
KERRY
KREIMAN.
Kerry is the Executive/Artistic director
of Contemporary Dance/Fort Worth, a company
which she co-founded in 1990. Kerry has
choreographed over sixty works for professional and
civic dance companies, universities, theater
productions, outdoor festivals, site-specific projects,
and more. Prior to co-founding the CD/FW Co.,
Kerry directed the Dance Program at the Culver Academies
in Culver, Indiana (1987-1990) and was Visiting
Assistant Professor at Saint Mary's College at Notre
Dame (1989-90). As an artist representative for
the City of Fort Worth, Kerry was honored to perform at
the 1998 inaugural celebration of the Fort Worth Sister
Cities International partnership with Toluca, Mexico.
In 2000, she was invited to teach and perform for a
month in Taipei, Taiwan for the first annual Taiwan
International Dance Festival on the campus of the
National Institute of the Arts. She was a
Guest Lecturer in Modern Dance for the Texas Christian
Univ. Dept. of Ballet & Modern Dance for eight
years, serving as both graduate and undergraduate
faculty and is a certified Pilates instructor.
Kerry holds a MFA in Dance from the University of
Illinois at Urbana-Champaign, a BFA in Modern Dance and
a BA in Philosophy from TCU.
Kerry is a strong advocate of Bill Evans’ work,
and is excited to be on a journey with him to explore
the integration of modern dance training techniques,
Bartenieff, Laban, kinesiology, and more, to develop new
frameworks and possibilities for training teachers and
dancers. Kerry
can provide the following services: Master classes and
teaching residencies,
Choreographic commissions and Design of outreach
programs
|

|
|
|
|

|
KATHLEEN
(KLEE) MOORE.
Dancing
since she was a child, KLee Moore's passion in dance
shows in her dedication to the art. Striving to
advance her skills in mind and body, KLee's outlook on
life positively affects lives of others in her teaching
and performance. She has danced modern, jazz,
ballet, tap, and ballroom, and has taught the variety of
styles at her own studio, Pioneer Dance Arts, in Sequim,
Washington, since 1974.
Recently having completed an eight-year study of
the Laban/Bartenieff-based Bill Evans Modern Dance
Technique, Klee continues to develop her body through
movement, and reaches her students on new levels with
certification in the program.
(Respectfully
written by long-time student Lara Lichten, whose growing
up years and education have been impacted by dance
teacher KLee.)
Availability
KLee has the unique ability to apply Laban/Bartenieff
Fundamentals in the instruction of all ages, levels and
a variety of dance forms. Tailor-made to meet your
specific conditions. KLee is available to teach
weekend master classes and residencies.
KLee can be reached by phone at 360-683-3693 or email at
mpirouette@olypen.com |
|
|
|
Candid
photos of participants in the 2007 Certification Program Workshop at SUNY
Brockport:
|