REGISTRY OF CERTIFIED TEACHERS OF THE BILL EVANS METHOD

The following artist/teachers have completed the certification program in the Bill Evans Method of Teaching Laban/Bartenieff-Based Modern Dance Technique:

 

Heather Acomb
SUNY, Genesco
hacomb@hotmailcom
*More info on Heather below
Julie Anderson
Denver, Colorado
juliecourtneyanderson@gmail.com
Deborah Birrane
Seattle, Washington

debbiranne@yahoo.com
*More info on Deborah below
Jenny Burnett
So. Euclid, Ohio
jburnett@hb.edu
*More info on Jenny below
Mary Burns
Chicago, Illinois
msburnsi@hotmail.com

Clarence Brooks
clarence.brooks@fau.edu

Joanna Cashman
Olympia, Washington,
joannachasman@comcast.net
*More info on Joanna below
Bill Evans
Hamlin (greater Rochester), 
New York
billevansdance@hotmail.com
Sarah Gullo
Rochester, NY
sarahgullo@gmail.com
 *More information on Sarah below.

Don Halquist
Hamlin (Greater Rochester), New York
dhalquis@brockport.edu

Sarah Joyce-Dyer
Tulsa, Oklahoma
Sjoyce@hollandhall.org
 *More information on Sarah below.
Debra Wright Knapp
Las Cruces, New Mexico
 
deknapp@nmsu.edu
Kerry Kreiman
Fort Worth, Texas
cdfw@cdfw.com
Marlene Leber
mleber@hb.edu
 *More information on Marlene below.
Denise Lieutaghi
Lasqueti Island, British Columbia
dlieutaghi@gmail.com
Suzie Lundgren
Santa Cruz, California
suzie@suzielundgren.com
Hillary McDaniel Douglas
Las Cruces, NM

hilaryleigh@juno.com

Kathleen (KLee) Moore
Sequim, Washington

klee@olypen.com
*More info on Kathleen below
Georgia Ortega
Ross, California
geodance2@gmail.com
 *More information on Georgia below.
Denise Purvis
Chester, Virginia
denise_purvis@ccpsnet.net
 *More information on Denise below.

Heather Roffe
Rochester, New York
heatroffe@hotmail.com

Lynn Schmidt
Arlington, Washington
lynnandstan@earthlink.net
Rosalind Schrodt
Ashland, Oregon

www.oakstreetdance.com
rozinthismoment@msn.com
 *More information on Rose below.
Jenny Showalter
danceshow3@yahoo.com
 *More information on Jenny below.
Jane Stewart
Vancouver, British Columbia
djstewart87@hotmail.com
Kristin Carpenter Torok
Redwood City, California
fullcirclestudio@mac.com

Jude Clark Warnisher
clarnisher@yahoo.com
 *More information on Jude below.

Cynthia Willliams
Geneva, New York
Williams@hws.edu

Adrienne Wilson
Auburn,Alabama
awpmusicdance@aol.com 
 
*More information on Adrienne below.
Terri Winchell
Winston-Salem, North Carolina

terriwinchell@yahoo.com
 *More information on Terri below.

More about Certified Teachers - the following certified teachers have submitted the following additional information:



HEATHER ACOMB hacomb@hotmailcom
Heather is a dance artist and educator originally from the Rochester, NY area. She has performed, taught, and had her work shown in several locations throughout New York State , as well as across the country. Heather has been a member of the Bill Evans Dance Company since 2009, and in 2011 she became certified in the Bill Evans Method of Teaching Laban-Based Modern Dance Technique. She serves as a teaching assistant to Mr. Evans in his technique classes and summer workshops. She also performs on a project basis with Treeline Dance Works. Recent performance credits with Treeline include Triskelion ARTS in Brooklyn and Ravel's Boléro with the Rochester Philharmonic Orchestra. She has performed the works of Doris Humphrey, Larry Keigwin, and José Limón, among others, and has studied extensively with numerous master teachers and dance artists including the Limón Dance Company, Garth Fagan Dance, Sean Curran, and Mandy Moore, among others. She received her MFA in Dance from The College at Brockport, and also holds a BA in Communication with minors in Dance and English from SUNY Geneseo. Currently, Heather serves on the dance faculty at SUNY Geneseo.


DEBORAH H. BIRRANE, MFA  206-852-4075
 
I am a 2009 certified Bill Evans based teacher and, a soon-to-be certified Radiant Health Yoga Teacher. A mere 24 years into my career and I am grasping and digging the place I am in - that of appreciating and embracing process. Dance is so much richer when you dive deep below the surface, trusting that which is more stable (technique) and then “letting go” to ride the wave of intention, quality and sensation.

  A Philadelphia native, I began dancing “late” at the ripe age of 20 at Penn State University. Graduating with a BA in Social Work and a minor in Interdisciplinary Dance, I ultimately chose this road to dance. What most inspired me to seriously pursue this passion occurred during my premiere concert at the Philadelphia Industrial Correction Center – yes, a jail. We performed for 100 inmates. The evening began with catcalls and ended with a standing ovation. Dance communicates with people very deeply and on surprising levels. After the concert, one woman, probably about 50+, stood up, passionately looked me in the eyes and voiced: If you love something that much, you should never give it up. Hearing that from a woman who probably lost a lot during her life has meant much to me. That was 1990. The honesty, intensity and beauty of those moments is what keeps me creating, teaching and dancing on.

  To do something one needs to be. When you can be, you can then listen. When you listen, change happens. And happens it does – in abundance. After much ado about “nothing”, I have committed to being a solo performer. There is much artistic freedom here but the responsibility is great and daunting. It is a journey where I cycle through the mundane to heaven and to hell struggling, questioning and probing for a clear and honest dance image. It is a process whereby my mind, body and soul seek constant connectivity. And, simultaneously, there is much letting go which ultimately leaves me completely absorbed in the work, ego dropping out of the realm, and I becoming - becoming the dance.

     As a social being, however, I still thrive on creating and performing in group works as well as immersing myself in studying with others. I am studying Baroque dance and occasionally dancing with Seattle Early Dance under master of Baroque Dance, Anna Mansbridge. I can never get enough of studying with Bill Evans. My once-a-year immersion with Bill encourages me to continually discover myself as a more knowing, sensing, feeling and seeing choreographer, dancer and teacher. The work has given breadth to who I am as a more efficient, fluent and diverse individual and artist. It seems as if I am living in the best of both dancing worlds, time undeniably linked like a double helix inter-twining the past and the present.

     A snippet look at my past: The works of Deborah Birrane Dance have been passionately embraced by audiences here in the States and abroad. I have created for the Company a repertory that is both eclectic and rich in its content, style and musical partnership, as well as broadening the repertory with works by many wonderful choreographers. Most recently my solo work has been presented by Contemporary Dance Fort Worth; An Evening with Bill Evans & Friends; Wild Grace Dance Theatre; by Denise Lievtaghi (Vancouver, BC); and, in the informal showings sponsored by Next Stage Dance and Arts Launch. Specifically in Seattle, DBD has been presented by artsEdge, Juan de Fuca Arts Festival, Dance Fusion and Choreofest. As an educator and choreographer, I was selected as the dance artist for Seattle’s ARTS UP program. In May 2002, I performed in Belgrade & Novi Sad, Yugoslavia and then in December 2002, taught in St. Petersburg Russia at the Exercise 2002 International Festival as Guest Dance Educator. My work has been commissioned by Belhaven College (performing my work in China and Mississippi), Western Wyoming College, Kaleidoscope, Fremont Danceworks, Komen Foundation for Breast Cancer, and PSU-Abington Dance Collective. Prior to Seattle, the Company has been presented at the ACDF Gala Concert, The Fringe Festival in Atlanta, Georgia; the Australian Embassy in Washington, D.C.; the Philadelphia Dance Alliance; and at Penn State University-Abington. 

     I have served on the faculty of Pacific Northwest Ballet; the Creative Dance Center; taught as a permanent and/or visiting artist-in-resident in the elementary, middle and high schools as well as college and graduate levels of dance and education; and, the Kaleidoscope Pre-School Enrichment Program, a pilot project for the arts in early education under the Clinton Administration. Currently, I teach at the University of Washington - Bothell campus, continue to teach as artist-in-resident in the elementary schools and visit as guest artist on the college level.

Artistic Director - Deborah Birrane Dance 800 1st Avenue North, #5  Seattle, WA 98109 206-852-4075  



JENNY BURNETT
jburnett@hb.edu 440-387-1901
Jenny received her BFA in Dance from the University of Akron and her Masters in Education from Kent State University .  She recently became certified in Evans Dance Technique at SUNY Brockport.  Jenny has taught many different dance styles and methods courses at various institutions, including the Wayne Center for the Arts, Cleveland Ballet Conservatory , Kent State University, and Lake Erie College .  She serves as a member of the board of trustees of Ohiodance and has performed with numerous choreographers and companies in Ohio as well as presenting her own work.  Jenny has presented at education conferences and workshops throughout Ohio as well as National conferences.  She has written articles for The Orff Echo and helped to pen the Ohio “Service and Resource Guide for Educators of Gifted Students”.  She teaches dance for Preschool through 12th grade and is the head of the Performing Arts Department at Hathaway Brown School , located in Shaker Heights , Ohio .

600 Parkside Blvd. South Euclid, OH 44143 440-387-1901


JOANNA CASHMAN, RN, E-RYT, MFA
Joanna Received her Master of Fine Arts degree in Dance from Arizona State University. She is a certified teacher of the Evans Method: A Laban-Bartenieff Based Approach to Teaching Dance Technique. A former member of the Barbara Mettler Dance Company, she has performed and taught internationally and is the recipient of numerous grants and awards for her creative work. She has taught dance/movement studies as an adjunct member of the faculty at The Evergreen State College and Lesley University. Notably in 1988 she co-directed an Arts for Peace Tour which produced an American-Soviet Concert of Contemporary Dance while in residency at Shevchenko University in Kiev, Ukraine. 

  Joanna is a certified Integrative Yoga Therapist and founder of the Radiant Health Yoga® Teacher Training Program which features a therapeutic, neurodevelopmental approach to hatha yoga. Following an intuitive desire to blend the ancient teachings of yoga with expressive dance she created Chakra Dance as a holistic practice that illuminates universal truths about the human experience and offers a rich vehicle for creative expression and personal growth. As a mental health nurse, listed in Who’s Who in American Nursing, she specialized in expressive arts therapies and has twenty five years of clinical experience facilitating yoga and dance therapy sessions for individuals with neuropsychiatric and chemical dependency issues. Her inquiry takes place at the intersection of art, psychology and spirituality and is based on the premise that contemplative and expressive movement practices are basic human needs. She currently directs Wild Grace Dance Theater and teaches yoga, modern dance, and Brain Dance at her studio, Wild Grace Arts, in Olympia, WA

For more information visit www.JoannaCashman.com and www.WildGraceArts.com  


SARAH GULLO
  sarahgullo@gmail.com 
Gullo holds an MFA in Choreography and Performance from SUNY College at Brockport, a Bachelor of Arts in Humanistic Studies from McGill University and has lived in Belgium , Quebec , France , Venezuela , and New York City . Gullo trained and competed in gymnastics in her teens and became a certified yoga instructor before turning to modern dance as a young adult. Her formal dance training in dance began at Dance New Amsterdam in New York City , and continued as a graduate student with artists such as Bill Evans, Jenny Coogan, Mariah Malone (Trisha Brown) Jane Comfort and Tere O'Connor. Gullo's solo work has been presented in Rochester and New York City , and she has performed with regional dance companies BIODANCE, Kista Tucker Dance, Geomantics Dance Theatre, and Melanie Aceto Contemporary Dance as well as New York City based Treeline Dance Works and KICK STAND Dance. She has choreographed for Cobblestone Arts Center , The Harley School, Victor High School , and has held adjunct professor positions at SUNY Brockport, Keuka College and Roberts Wesleyan College . Gullo is certified in the Bill Evans Method of teaching modern dance, and is also pursuing certification as a Somatic Movement Educator with EastWest Somatics. She currently serves as dance faculty member as well as Assistant Dean of Students at the Hochstein School of Music and Dance in Rochester , New York .


KERRY KREIMAN 
 
Kerry is the Executive/Artistic director of Contemporary Dance/Fort Worth, a company which she co-founded in 1990.  Kerry has choreographed over sixty works for professional and civic dance companies, universities, theater productions, outdoor festivals, site-specific projects, and more.  Prior to co-founding the CD/FW Co., Kerry directed the Dance Program at the Culver Academies in Culver, Indiana (1987-1990) and was Visiting Assistant Professor at Saint Mary's College at Notre Dame (1989-90).  As an artist representative for the City of Fort Worth, Kerry was honored to perform at the 1998 inaugural celebration of the Fort Worth Sister Cities International partnership with Toluca, Mexico.  In 2000, she was invited to teach and perform for a month in Taipei, Taiwan for the first annual Taiwan International Dance Festival on the campus of the National Institute of the Arts.   She was a Guest Lecturer in Modern Dance for the Texas Christian Univ. Dept. of Ballet & Modern Dance for eight years, serving as both graduate and undergraduate faculty and is a certified Pilates instructor.  Kerry holds a MFA in Dance from the University of Illinois at Urbana-Champaign, a BFA in Modern Dance and a BA in Philosophy from TCU.  

  Kerry is a strong advocate of Bill Evans’ work, and is excited to be on a journey with him to explore the integration of modern dance training techniques, Bartenieff, Laban, kinesiology, and more, to develop new frameworks and possibilities for training teachers and dancers.  Kerry can provide the following services: Master classes and teaching residencies,  Choreographic commissions and Design of outreach programs


SARAH JOYCE-DYER
Sarah Joyce-Dyer earned her BFA in Dance Pedagogy from the University of Oklahoma where she performed with the Oklahoma Festival Ballet and the Modern Repertory Dance companies. In 2009, she completed training to become a Certified Teacher of Evans Method of Modern Dance  - a Laban-Bartenieff based approach to teaching dance technique.

Since 1995, Sarah has been the Dance Director at Holland Hall School, a private, college preparatory K-12 school in Tulsa, Oklahoma.  In addition to movement analysis and dance composition, Ms. Dyer teaches modern dance technique to grades 6-12, directs the Modern Repertory Dance Ensemble, choreographs the upper and middle school musicals, and co-directs the Show Choir. Her students have gone on to perform with Michael Foley Dance, Atlanta Ballet, Pacific Northwest Ballet, Chicago Verge Dance, on the Tony Awards and MTV Music Awards. Currently, she has alums performing on Broadway in Cats, Les Miserables, and the Green Day musical American Idiot. 

In the community, Sarah is the resident choreographer for Tulsa Repertory Musicals and teaches modern, ballet, tap and jazz technique classes for The Dance Pointe studio. She has choreographed for Light Opera Oklahoma (LOOK), Odeum Theater Company, and taught modern dance workshops for Tulsa Ballet’s summer intensive Pointe to The Future

In the elementary schools of Northeastern Oklahoma, Sarah served as a ‘Master Teacher’ and ‘Artist in the Schools’ for the Tulsa Arts and Humanities Council, implementing experiential education in the art of dance and dance appreciation for teachers and their students.

Sarah is available for master classes, teaching residencies and choreographic commissions.

 



MARLENE LEBER mleber@hb.edu  440-285-9504
Marlene has been teaching, choreographing, and performing in the greater Cleveland area for over thirty years. As well versed in musical theater as modern dance, her choreography has been seen on the stages of Mentor High School, Kent State University, Lake Erie College, Cleveland State University, The School of Fine Arts, Shaker Heights High School, Hawken High School, Cleveland School of the Arts, and Hathaway Brown School where she has co-directed the dance program for the past 18 years. Marlene has performed extensively throughout the Cleveland area both in contemporary and Musical Theater venues, but her true love has always been modern dance. An original member of Cleveland’s Repertory Project and Dance Theater Collective, Marlene’s performing repertoire of contemporary choreography includes works by Bill Evans, Gina Gibney, Kathryn Karipides, Amy Dowling, Susan Van Pelt Petrie, David Dorfman, Jennifer Keller, and Douglas Neilsen, to name a few. In 2003, Marlene and colleague Jennifer Burnett presented their duet Resolve at Cleveland Public Theater as a part of the Food For Thought showcase directed by Gina Gibney. Marlene was the recipient of the Outstanding Contribution to Dance Education Award at the Ohiodance Festival in 2005. In 2011, she served on the dance content standards writing team for the Ohio Department of Education, and in 2009 was the lead writer for gifted content standards. Marlene holds a BFA in dance from Lake Erie College and has served on the board of trustees for OhioDance since 2005. The summer of 2011 marked her fourth year in the Bill Evans Teachers Certification program at SUNY Brockport.


KATHLEEN (KLEE) MOORE
klee@olypen.com 360-683-3693
Kathleen (KLee) Moore, Executive/Artistic Director and Founder of Pioneer Dance Arts, a multi-generational dance school and performing company, has served the Sequim, WA. community since 1974. KLee Moore's passion for dance shows in her dedication to the art as she strives to advance her skills in mind and body.
 
KLee is available to teach master classes in various dance styles: BrainDance, Bartenieff Fundamentals, Evans Modern, jazz, ballet, & tap. All her classes incorporate the dance concepts of BrainDance and the Bill Evans Method of Teaching Laban/Bartenieff-Based Modern Dance Technique.

KLee began her dance studies at the Fishback Studio of the Dance, earning a teachers certificate in the Cecchetti Technique of Classical Ballet. She has studied ballet with the San Francisco Ballet School, Pacific Northwest Ballet, First Chamber Dance Company, and with Cornish Institute. Her training with David Howard and JoAnna Kneeland greatly influenced her teaching techniques, incorporating kinesiology and movement dynamics. She is a member of the inaugural session of selected teachers that completed the Bill Evans Method of Teaching Laban/Bartenieff-Based Modern Dance Technique in August 2006. More recently, she has trained with Anne Green Gilbert, Institute Director of the Creative Dance Center, studying Brain-Compatible Dance Education.

Evans certification colleague Don Halquist, a Visiting Assistant Professor at State University of New York in Brockport says "KLee has distinguished herself as a generous and warm human being who works from a place of discipline, commitment and integrity. When offering feedback to her peers, I found her comments to be specific, constructive and above all supportive." He has noted "how fortunate the people of Sequim were to have KLee as part of their community. She is truly a dance pioneer and has generously and graciously shared her knowledge of and passion for the art of dance with her community."

Mr. Evans recommends her "highly and without reservation. She is an extraordinarily competent dance professional, exceptionally organized and outstandingly pro-active. She is completely honest, highly ethical, remarkably responsible, unusually self-motivated, sincerely courteous and always collegial-
supporting the growth of peers whenever possible."

KLee was nominated "Teacher in the Spotlight" by Bill Evans for the July 2010 issue of Dance Studio Life, a magazine dedicated to quality dance education. Quote “KLee is a true educator. She was among the first graduates of my Certification Program in the Bill Evans Method of Modern Dance Technique. She has developed a true community of people who support each other in the study of dance and in all aspects of their lives.”

KLee can be reached by phone at 360-683-3693 or email at klee@olypen.com

Article reference: http://www.dancestudiolife.com/2010/07/teacher-in-the-spotlight-klee-moore/


 
GEORGIA ORTEGA
geodance2@gmail.com 415-233-3463
Georgia Ortega is in her 10th year at the Branson School , an independent high school in Ross California, where she directs the Branson Dance Performance Ensemble and dance program. After completing a pre-professional ballet and modern jazz training program in 1979, Ms. Ortega co-founded En Avant Collective and began teaching in  studios in the San Francisco Bay Area, including Shawl-Anderson Dance Center , Marin Ballet, Contessi Ballet, and Tamalpais Dance Center . She has been a guest teacher/choreographer at College of Marin , St. Mary’s College, Laney College , College of Southern Idaho , Escola de Danca da Universidade Federal de Bahia, Brazil , West Hawaii Dance Center and others. As co-owner of Dance Theatre 7 in Fairfax , Ms. Ortega established a pre-professional contemporary training program and the Chrysalis Contemporary Company, a choreographer’s showcase for emerging and established choreographers, and directed the adult and junior contemporary  division. She has twice received Marin Arts Councils’ Individual Artists grant for her innovative choreography. She would like to thank Jody White, Baba Hari Dass, Bhavani Maki, Don Halquist, and William Evans for their guidance and inspiration. Ms. Ortega is a certified teacher of Ashtanga and Hatha Yoga, a certified massage therapist, and in 2011 received her certification in the Evans Method of teaching Laban-Based Modern Dance Technique.

 
DENISE L. PURVIS
  denise_purvis@ccpsnet.net 804-744-5667
Denise Purvis
currently performs with Starr Foster Dance Project and directs the dance program for the Chesterfield County Specialty Center for the Arts at Thomas Dale High School in Chester , VA. A certified teacher of the Bill Evans method of dance technique, she holds a Master of Fine Arts degree in Dance and Performance/Choreography from the State University of New York at Brockport and an undergraduate degree in dance from Mary Washington University in Fredericksburg , VA. Her college faculty positions have included the State University of New York at Brockport and Hobart and William Smith Colleges . In addition to her continuing training with Bill Evans, she has been privileged to study under Eugene Roscoe, Sharon Kinney, Barbara Grubel, Bebe Miller, Mark Haim, Risa Steinberg, Nina Watt, and many other wonderful dancers and choreographers. An experienced performer, choreographer, and educator, Ms. Purvis’ works have premiered in Virginia , as well as New York . She has taught at reputable dance schools throughout Richmond , VA and Rochester , NY , choreographed several musicals for both amateur and professional theater and has performed professionally with various choreographers. 

 13300 Court Ridge Road Midlothian, VA 23112



Roz Schrodt

  Artistic Director of Moment in Time Dance Company, has performed and been active in dance since she was 7 years old. She founded The Moving Center Dance Theatre in Taos, New Mexico, 1973-1976. She has worked with Beverly Pollack, has studied intensively with David Hochoy, Kitty Daniels, and Bill Evans: has won awards for her choreography, and received two National Endowments for the Arts grants for her dance productions. Roz has a Bachelors Degree in Humanities from Southern Oregon University.

   Roz completed the Bill Evans Certification Program in 2007. This includes the study of Labon Movement Analysis and The Bartenieff Fundamentals. She has consistently taught Modern Dance Technique classes for the last 30 years.   Roz just returned from teaching commitment in Loreto, Baja Sur.  Roz has been a mentor to dancers that have gone on to have successful careers in dance.  She loves the art of dance and conveys this love to all of her students.  In the last few years, Roz has been working with Liquid Fire Mantra Ritual Fire and Mask Dancing Company.  She does some of their choreography, trains their dancers, and  sometimes appears with them.



JENNY SHOWALTER
  danceshow3@yahoo.com  630-408-7157
Artistic-Co Director of Treeline Dance Works, Jenny is a dancer and choreographer whose work has recently been presented at Les 7ème Rencontres UPPAdanse (France), American Dance Guild (NYC),  DUMBO Dance Festival (NYC), WAXworks (NYC), Heidelberg Music Festival (OH), Joy of Motion (Washington DC), Midwest RAD Festival (MI), Vision of Sound (NY), Dance Chicago (IL), Rebound Chicago (IL), Oklahoma Contemporary Festival (OK), and Cool NY Festival (NYC). Showalter has been invited to teach technique and set repertory as aguest artist at Lincoln College , Western Illinois University , and Perpetual Motion Dance Company and has served on faculty at Ball State University . She has performed extensively throughout western New York , New York City and Chicago with both established and emerging artists and is a member of the Bill Evans Dance Company. Showalter holds an MFA in Dance Choreography and Performance from The College at Brockport and a BS in P.E. Exercise Science from Western Illinois University . She is a certified personal trainer, Pilates instructor, and somatic practitioner.



Jude Clark Warnisher
clarnisher@yahoo.com
Jude is a teacher, choreographer, performer and visual artist who lives on the central coast of California .  She received her MFA in Choreography at the University of California , Irvine , under the tutelage of Donald McKayle.  Prior to her graduate studies, Jude taught,choreographed and performed in Southeast Asia , Japan , Russia , the Philippines and Southern California .  Jude is one of the founders and artistic directors of Variable Velocity Performance Group, San Luis Obispo 's premiere modern dance company.  She is an active performing member of the company creating group works and solo performance pieces for the company's annual productions.  She teaches technique classes for the company members as well as teaching at Cuesta Community College and California Polytechnical University in San Luis Obispo , California .  Jude received her certificate of completion in  Bill Evans' Modern Dance Technique in August 2011.



Adrienne Wilson, MFA,
is a dancer and musician actively pursuing a life in the arts for many years. As Assistant Professor, Theatre at Auburn University, she teaches dance courses based in modern/contemporary technique, rhythm tap, Bartenieff Fundamentals, and movement analysis, continually blending in elements of dance history, composition, improvisation, anatomy and kinesiology. She choreographs and directs the annual student dance concert and hosts guest residencies that enhance the pursuit of dance studies. There have also been opportunities to coach movement for actors and to choreograph for the stage using Bartenieff Fundamentals and Laban Movement Analysis. She is responsible for establishing a dance minor within the Department of Theatre, approved in January 2008.

She earned an MFA in choreography and performance from SUNY Brockport, and bachelors and masters degrees in piano performance from Ithaca College. Her choreographic works have most recently been seen at Auburn University and at the American College Dance Festival Southeast Region Conferences hosted by Middle Tennessee State University and The University of Florida in Gainesville; and also at SUNY Brockport, Slippery Rock University, and at the 2005 National Dance Educators Organization Conference at the University of Buffalo.

She has taught on the dance faculties of SUNY Brockport, Hobart and William Smith Colleges, and Alfred University; and also served on the music faculty at Elmira College and as a staff accompanist at Ithaca College. While participating in conferences she has taught classes in modern dance and rhythm tap for ACDFA for the last several years.

Recent honors include receiving the 2008-2009 College of Liberal Arts Instructional Excellence Award from the Promotion of Excellence in Teaching and Learning Committee (Auburn University), being awarded a Noncompetitive Summer Research Grant for 2010 (Auburn University) to finish certification in Bill Evans Technique, and assisting Bill Evans in presenting his choreographic work Colony, performed by Auburn University students, at the 2010 American College Dance Festival Southeast Regional Conference Gala and then again at the The Kennedy Center in Washington, D.C. for the American College Dance Festival Association’s National Festival.

Choreographically, she is continually exploring and creating work using contemporary technique, rhythm tap, and the wealth of information studied in the Bill Evans Teacher Intensives.

She is a board member/institutional member for the Alabama Dance Council; an institutional member of American College Dance Festival Association and National Dance Educators Organization; an individual member of the International Tap Association and EastWest Somatics.



TERRI WINCHELL
  terriwinchell@yahoo.com 336-940-6439
As recent graduate of the Evans/Bartenieff/Laban Certification program (2011) my interests and studies lay in the areas of transformational learning, community building, somatics, personal investigation, discovery, and inquiry. As an Registered Yoga Teacher and vinyasa yoga practitioner as well I am enthusiasticly obsessed with the integration and fusion of art forms. Originally trained in Classical Ballet, I now constantly seek methods of integrating a variety of movement styles and somatics practises through the use of Evans/Bartenieff/Laban as a means of expression, clarification and communication as a teacher and dance artist. Fields of expertise include Modern dance technique, improvisation, composition, ballet. Areas of study include Feldenkrais, Alexander, Qigong and yoga, Kinesiology, Dance History, World dance forms and hip-hop! Credentials include a BFA in dance performance from East Carolina University and an MFA in performance, choreography and pedagogy from Southern Methodist University. Also, I received a Graduate Licensure (K-12) in dance education from the University of North Carolina at Greensboro . Currently, I work with process and 180+ students per year outside of Winston-Salem , NC at Davie County High School .
  I am available for a variety of workshops, performances, collaborations and networking upon request.


Candid photos of participants in the 2007 Certification Program Workshop at SUNY Brockport:

 
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